The Abominable Snowman: The Best Yeti Film to Date

Before Hammer studios gained notoriety with The Curse of Frankenstein and Horror of Dracula, they spearheaded this black-and-white chiller (among a few others) that has since been overshadowed by the company’s salutiferous heavyweights. Horror hounds don’t mention The Abominable Snowman as much as they should. Hell, Hammer hounds hardly mention it themselves, and they’re the ones who are supposed to introduce these speckless British imports to others.

This thalassic gem is just as noteworthy as Frankie or Drac, but it has been cached in the arenose sands of time. I just wanted it to be an entertaining monster movie. I wasn’t expecting it to deliver three-dimensional characters, sharp dialogue, penetrating social commentary, and relucent production values. But it did. Come to think of it, I don’t know why my expectations were so modest. This is Hammer we’re talking about here!

Abominable eclipses other creature features from this era. It’s not content to adhere to a solvent formula or simply deliver visceral thrills. It taps into the same current that methodical murder mysteries mendicate for. The exposition is fleshed out, the screenplay is dialogue-driven, and the viewer is genuinely curious to see what happens next (or at least I was). If that’s not enough to set this film apart from other starving-actor-in-a-suit pics, the titular beast is only partially shown.

When we finally get a look at the big lug(s), the running time debouches dangerously close to the 90-minute mark. You’d think that would be a downfall, but this storytelling method befits the story at hand. It also aids in concealing the meager budget. One way to ensure that your special effects won’t seem outdated in fifty years is to not have any special effects.

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The acting is superlative. Peter Cushing toplines the cast, and as per usual, he owns the screen. He never knew what “phoning in a performance” meant. I’m sure that he only agreed to do certain films for the paycheck, but he was bound determined to convince the audience that whatever role he was assuming was the most important one of his career. Here, he portrays Dr. John Rollason, a botanist who secretly plans an excursion into the Himalayas to search for the Yeti. The insatiate, encroaching Tom Friend is along for the ride. Forrest Tucker plays Friend with a preponderant backbone that compliments Cushing’s taciturnity. They bounce off of each other well, and although each character is flawed, I invested myself in their plights.

One of the reasons why Hammer sent a rumbling judder through the horror genre is because they shot all of their fright flicks (starting with Frankie) in eye-popping color. Abominable holds the ironic distinction of being shot in black-and-white, and the visuals are just as stirring as those found in the aforementioned reliquaries. The location footage is breathtaking, the cinematography is vitreous with opalescence, and the action filmed at Bray Studios doesn’t look like it was shot in a studio.

My hat goes off to director Val Guest for lending luster to what could have been a planar b-movie. When I referred to this spookshow as a “chiller,” I wasn’t speaking figuratively. The atmosphere is cold, colder than that of The Thing. Appropriately enough, it will make you want to bundle up with the nearest coverlet. What other way is there to take in a genre classic on a hibernal Friday night?

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In addition to just being an all-around great film, Abominable interposes relevant themes that opine a pessimistic view of society. These grounds are covered in many other horror outings, but Guest is sly in how he goes about conveying his message. He doesn’t beat us over the head with it. Unfortunately, I can’t go into any more detail so as not to unlade spoilers. You’ll just have to take my word for it.

If you’ve yet to osculate the totally rad awesomeness that is Hammer, The Abominable Snowman wouldn’t be a bad place to start. Naturally, I’ll also recommend it to those who are already familiar with the illustrious scare syndicate. I could have saved myself the trouble and recommended it to everyone, but whatever.